March212017

THE day I defended my dissertation was March 21, 2017 @ 5:08 p.m. That was the day I became Dr. Joan Renee Cartwright. It is different for sure being Dr. Cartwright, being addressed as Dr. Cartwright, being done at Northcentral University in Arizona, online.

One of the committee members asked what I will do next. Aside from managing

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this is how I feel and see my future

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Teaching Public Speaking for the past year has convinced me that the classroom is my new stage.  Therefore, I am open also to teaching Business Marketing and Ethics.

Peace and Love,

Dr. Joan Cartwright

 

How Time Flies

From 1984 to 2017, Dr. Joan Cartwright steered her entrepreneurial vessel up the river of opportunity. This short video tells that story. During a TED Talk, British film director Jude Kelly mentioned the name Buzz Goodbuddy. But Cartwright heard Fuzz Goodbuddy and this video is the result of her google search.

http://www.joancartwright.com

http://www.fyicomminc.com

http://www.wijsf.org

http://www.drdivajc.com

Honor Society

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alpha-epsilon-logoMy doctoral dissertation is in the final stage of reporting on the study on the findings and making recommendations with completion, review,  and defense projected to be December 2016.

September 15, 2015 – Today, I learned the name of the Alpha Epsilon Society that inducted me in 1981 at LaSalle University.

Summer 2016 – I am honored to be a member of the Northcentral University Lambda Eta Chapter of Delta Mu Delta International Honor Society in Business.

Joan Cartwright Delta Mu Delta

jc letter of candidacy

 

 

Prof Cartwright’s Books on MJTVNetwork

Host Mimi Johnson interviews author Professor Joan Cartwright on the MJTV Network Home Shopping Broadcast – http://www.mjtvnetwork.info

CLICK to watch video. All Books are available at http://www.lulu.com/spotlight/divajc

http://www.drdivajc.wordpress.com

Professor Cartwright

Today, jc-tv1February 29, 2016, Professor Cartwright officially begins her journey as a college professor at Southeastern College in West Palm Beach, Florida, teaching Speech Communications or The Art of Public Speaking.

Having been a professional performer for over 40 years, Professor Cartwright has presented papers at several conferences on women’s music and the history of Jazz and Blues. She has toured in 19 countries as a vocalist and published 11 books.

Once her doctoral dissertation Women in Jazz: Music Publishing and Marketing is completed and accepted by Northcentral University, Professor Cartwright plans to continue lecturing and teaching business courses at various institutions. Her expected date of graduation is January 2017. Until that time, she will teach at SEC during the months of March, July, and November.

Visit her websites:

New Horizon!

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Conscious Inclusion of Women Musicians

This is an important issue but too many women are totally unaware of the problem. What do you know about women musicians and the inequity of income they earn compared to what male musicians earn?

Published at Versita: Conscious Inclusion of Women Musicians

Dr. Diva JC - Scholar . Teacher . Author

[THIS PAPER IS PUBLISHED at Versita]

The paper was presented at the British and American Studies Conference, in 2012, and is posted on the website of Fondazione Adkins-Chiti: Donne in Musica

Conscious Inclusion of Women Musicians
By Joan Cartwright, M.A.

Music, the sound of the spheres, begins in the womb! ~ Diva JC

Abstract
This paper discusses the vast divide between performance opportunities and income earned by male and female musicians. Although female singers are quite visible on the world’s stages, few female instrumentalists are employed on a regular basis and even fewer women composers have their music commissioned for programs or films funded by private and public monies. Several proficient female jazz musicians are identified, and how and why women are omitted from performance is discussed. The need for everyone – producers, promoters, funders, and bandleaders – to consciously choose to include women musicians in programming…

View original post 3,323 more words

Leaning In re Women in Arts

ImageMy life has been inundated with music performance, since I was four years old. By 27, I had borne and raised two children and was on my second divorce. I had the opportunity to finish my Bachelor’s Degree in Music and Communications, in Philadelphia, where I also embarked on my professional career as a vocalist and composer. That was in 1977. By 1990, I owned a small business that placed legal secretaries in law firms. I was doing well but an opportunity arose for me to go to Europe. My children were engrossed in their own families and I was free to go on the road. I began touring in Europe, where I moved in 1994, after completing my Master’s Degree in Communications, in Florida. For eight years, I lived a charmed life touring from country to country, singing Jazz and Blues. In 1996, I moved back to Florida, where I knew I would be challenged to earn the living I earned in Europe. I developed a program to teach K-12 students about women in Jazz. Through grants, I was able to deliver 10 to 20 presentations a year with piano accompaniment. The presentation evolved into a book entitled Amazing Musicwomen.
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In 2007, I realized that since 1977, I had worked predominantly with male musicians. I was the bandleader and had only worked with a handful of female musicians in the U.S. and only two women in Europe. I decided to lean in and focus on identifying women musicians whom I could hire. There were few in Florida. I incorporated a non-profit organization Women in Jazz South Florida, Inc. as a 501(c)(3) that supports women musicians, globally. In seven years, the membership grew to 271 with 144 musicians and 51 men. I wrote several grant proposals and many of them were awarded to WIJSF for musical presentations. Many friends suggested that I should concentrate on my own career rather than spend time promoting other women in music. I disagreed. It was my passion to connect as many women instrumentalists and composers as I could.
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In July 2014, my members and friends donated $3,645 for me to travel to Fiuggi, Italy for the WIMUST Conference, Women in Music Using Strategies for Talent, presented by Fondazione Adkins-Chiti: Donne in Musica. I was the ONLY composer from the U.S.A. and the only woman of color to participate in this conference of 40 women composers from the European Union. Since 2010, we have produced four compilation CDs of the original music of 34 women composers and the last one just won the first award for Best Compilation CD produced by a Black Woman. I have been vigilant about making people aware of the importance of consciously including women musicians in their programming.
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The statistics are eye-opening, since women pay 53% of the taxes on the planet but benefit from less than 10% of public funding for the arts. Paintings of nude women by men hang on the walls of noted art museums but only 5% of the artwork on the walls is by women. Women writers, architects, painters, and musicians are terribly marginalized in the billion-dollar art world and few people even realize this disparity, particularly women. My goal is to continue to speak out about the marginalization of women in the arts primarily because a nation is only as strong as its cultural producers and the messages in women’s art is paramount to the enlightenment of all people.
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I have called for a Symposium on Women in Arts at The White House in July 2015, and started a petition on Change.org, which 269 people have signed since April. The purpose of the Symposium is to bring together women from all artistic disciplines to strategize about increasing the profile and earning capacity of women in the arts. I will continue to lean in on this platform until people awaken to the importance of valuing the messages in women’s art to society-at-large. The messages people receive are predominately male – aggression, competition, violence, fear, and dominance will preponderate, until people awaken to the messages in women’s art. Likewise, the earning power of women in music, art, literature, architecture, filmmaking, and other arts must increase for the betterment of society. Women hold up more than half of the sky but down here on the ground women continue to be devalued as second class citizens specifically because the messages in their artistic production are not getting through to adults and children. This paradigm must shift.
Please LIKE this page: Symposium for Women in Arts on Facebook
Please Sign and Share this Petition
Join WIJSF, today!
Thanks,
Joan Cartwright, M.A.