Why start a business?

In 1999, a well-connected politician called me on the phone, early one morning, instructing me to write down a fax number, starting with area code 202 for Washington, D.C. I knew it was important.

She asked me if I had a company and an Employee Identification Number (EIN) or tax ID number. I said I did. She said, “Write a blues about the 2000 census. Fax it with an invoice for $2,499 on your letterhead to the number I gave you.

One hour later, I sent the CENSUS BLUES to the U.S. Census Bureau to the attention of the person connected to my politician friend. I got paid because I could compose music and I had a corporate EIN.

One of the first documents I give my Speech Communication students is a handout entitled HOW TO START A BUSINESS.

How to start a business

  1. Choose Your Business Name, Inc. (or LLC) and decide if you will be: (30 minutes)
    • For profit
    • Non profit
  2. Product or Service (for profit) or Mission Statement (non-profit)
  3. Go to www.sunbiz.org to apply for incorporation $78 – 82 (20 minutes)
    • For profit must have a president (you)
    • Non-profit must have President, Secretary, and Treasurer. Also may have a resident agent, if the officers live in another state.
  4. Get an Employer Identification Number (EIN or Tax ID #) from www.irs.gov (10 minutes)
  5. Open a Bank Account (take Certificate of Status + EIN + $100)
  6. Liability Insurance (optional)
  7. Order business cards, website, telephone number, and business address (optional or home)
  8. Set up PayPal, Square, or another method to invoice your customers
  9. PayPal  $150 corporate tax before April 30 each year at www.sunbiz.org
    • On May 1st the penalty is $400 for filing your annual report late for a total of $550. So pay by April 30th!

Contact:

Dr. Cartwright

954-740-3398

profjoancartwright@gmail.com

I was in business for two years before I got that call. My company was not making much money. If I got a check for singing, I put it in my business account. I paid the corporate tax and filed a tax return as a sole proprietor most years. My company grew because of the music I recorded and books I published. I got substantial orders from school principals for one or more of my books. In 2007, I incorporated my non-profit organization and became a lecturer, presenter, and producer of several programs. After releasing my two personal CDs in 1995 and 2005, I produced eight compilation CDs of music from members of http://wijsf.org

In 2019, we published the first issue of Musicwoman Magazine. In 2020, we published the second issue and the first issue of Musicman Magazine. In 2021, We published both magazines, individually, and a flip book of both magazines.

There is no doubt in my mind that having a business has been beneficial to me and our 380 members!

On Being a Woman in Jazz

My response to Andromeda Turre who asked me what it means to be a woman in jazz.

Being a woman in jazz is the crux of my existence. 70 years ago, I sang Somebody Loves Me, onstage. The footlights mesmerized me. But the music captured my heart. In my later years, promoting women musicians, globally, is my mission for Women in Jazz South Florida, Inc. Visit us at www.wijsf.org


From 4 to 67, Joan sang her songs and those from the Great American Songbook
Recent article in Pensacola’s Downtown Crowd

Owning Jazz

REX STEWARTWhile whites in the jazz music industry got rich, black musicians did not reap equal benefits. The industry caused a great deal of exploitation and discrimination by whites against blacks. Rex Stewart said, “Where the control is, the money is. Do you see any of us running any record companies, booking agencies, radio stations, music magazines?” (Kofsky, 1998, p. 19).

[Source and References: https://www.york.cuny.edu/academics/writing-program/the-york-scholar-1/volume-6.1-fall-2009/the-social-effects-of-jazz]

Linked from the blog post: Who owns Jazz?

It’s 2020! It’s 22 years since Frank Kofsky recorded Rex Stewart’s quote. The part about controlling a music magazine is fulfilled in www.musicwomanmagazine.com

1jcsketchbannerI own Musicwoman Magazine. I envisioned it, planned it, funded it, and created it.

MWM cover19

The second issue is publishing in Spring 2020.

I am humbled by this accomplishment that enables me to create the narrative for and about women musicians, especially, women musicians of color who bring so much love, joy, and talent to the world.

Surf our site at www.wijsf.org where we promote women musicians, globally!

All the best in 2020!

Dr. Diva JC

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Doctoral Dissertation

After six years of study, my doctoral dissertation is now available for the world to read.

Cartwright, J. (2017). Women in jazz: Music publishing and marketing (Order No. 10265410). Available from ProQuest Dissertations & Theses Global; ProQuest Dissertations & Theses Global: The Humanities and Social Sciences Collection. (1894606316). Retrieved from https://search.proquest.com/openview/799fd615f51f3c4fa6b08945e8db56ab/1?pq-origsite=gscholar&cbl=18750&diss=y

Also for sale at http://lulu.com/spotlight/divajc

 

March212017

THE day I defended my dissertation was March 21, 2017 @ 5:08 p.m. That was the day I became Dr. Joan Renee Cartwright. It is different for sure being Dr. Cartwright, being addressed as Dr. Cartwright, being done at Northcentral University in Arizona, online.

One of the committee members asked what I will do next. Aside from managing

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this is how I feel and see my future

cartwright2017messageswomensmusic

Teaching Public Speaking for the past year has convinced me that the classroom is my new stage.  Therefore, I am open also to teaching Business Marketing and Ethics.

Peace and Love,

Dr. Joan Cartwright

 

How Time Flies

From 1984 to 2017, Dr. Joan Cartwright steered her entrepreneurial vessel up the river of opportunity. This short video tells that story. During a TED Talk, British film director Jude Kelly mentioned the name Buzz Goodbuddy. But Cartwright heard Fuzz Goodbuddy and this video is the result of her google search.

http://www.joancartwright.com

http://www.fyicomminc.com

http://www.wijsf.org

http://www.drdivajc.com

Prof Cartwright’s Books on MJTVNetwork

Host Mimi Johnson interviews author Professor Joan Cartwright on the MJTV Network Home Shopping Broadcast – http://www.mjtvnetwork.info

CLICK to watch video. All Books are available at http://www.lulu.com/spotlight/divajc

http://www.drdivajc.wordpress.com

Leaning In re Women in Arts

ImageMy life has been inundated with music performance, since I was four years old. By 27, I had borne and raised two children and was on my second divorce. I had the opportunity to finish my Bachelor’s Degree in Music and Communications, in Philadelphia, where I also embarked on my professional career as a vocalist and composer. That was in 1977. By 1990, I owned a small business that placed legal secretaries in law firms. I was doing well but an opportunity arose for me to go to Europe. My children were engrossed in their own families and I was free to go on the road. I began touring in Europe, where I moved in 1994, after completing my Master’s Degree in Communications, in Florida. For eight years, I lived a charmed life touring from country to country, singing Jazz and Blues. In 1996, I moved back to Florida, where I knew I would be challenged to earn the living I earned in Europe. I developed a program to teach K-12 students about women in Jazz. Through grants, I was able to deliver 10 to 20 presentations a year with piano accompaniment. The presentation evolved into a book entitled Amazing Musicwomen.
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In 2007, I realized that since 1977, I had worked predominantly with male musicians. I was the bandleader and had only worked with a handful of female musicians in the U.S. and only two women in Europe. I decided to lean in and focus on identifying women musicians whom I could hire. There were few in Florida. I incorporated a non-profit organization Women in Jazz South Florida, Inc. as a 501(c)(3) that supports women musicians, globally. In seven years, the membership grew to 271 with 144 musicians and 51 men. I wrote several grant proposals and many of them were awarded to WIJSF for musical presentations. Many friends suggested that I should concentrate on my own career rather than spend time promoting other women in music. I disagreed. It was my passion to connect as many women instrumentalists and composers as I could.
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In July 2014, my members and friends donated $3,645 for me to travel to Fiuggi, Italy for the WIMUST Conference, Women in Music Using Strategies for Talent, presented by Fondazione Adkins-Chiti: Donne in Musica. I was the ONLY composer from the U.S.A. and the only woman of color to participate in this conference of 40 women composers from the European Union. Since 2010, we have produced four compilation CDs of the original music of 34 women composers and the last one just won the first award for Best Compilation CD produced by a Black Woman. I have been vigilant about making people aware of the importance of consciously including women musicians in their programming.
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The statistics are eye-opening, since women pay 53% of the taxes on the planet but benefit from less than 10% of public funding for the arts. Paintings of nude women by men hang on the walls of noted art museums but only 5% of the artwork on the walls is by women. Women writers, architects, painters, and musicians are terribly marginalized in the billion-dollar art world and few people even realize this disparity, particularly women. My goal is to continue to speak out about the marginalization of women in the arts primarily because a nation is only as strong as its cultural producers and the messages in women’s art is paramount to the enlightenment of all people.
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I have called for a Symposium on Women in Arts at The White House in July 2015, and started a petition on Change.org, which 269 people have signed since April. The purpose of the Symposium is to bring together women from all artistic disciplines to strategize about increasing the profile and earning capacity of women in the arts. I will continue to lean in on this platform until people awaken to the importance of valuing the messages in women’s art to society-at-large. The messages people receive are predominately male – aggression, competition, violence, fear, and dominance will preponderate, until people awaken to the messages in women’s art. Likewise, the earning power of women in music, art, literature, architecture, filmmaking, and other arts must increase for the betterment of society. Women hold up more than half of the sky but down here on the ground women continue to be devalued as second class citizens specifically because the messages in their artistic production are not getting through to adults and children. This paradigm must shift.
Please LIKE this page: Symposium for Women in Arts on Facebook
Please Sign and Share this Petition
Join WIJSF, today!
Thanks,
Joan Cartwright, M.A.

2014 Update

Near the end of my 11th Doctoral course for Business Marketing, I am closer to graduation than ever before. As I look back over the past two years, much progress has been made.  I’m not situated in Atlanta, GA, where I live with my daughter, Mimi Johnson, CEO of www.mjtvnetwork.info, which has several shows in production. On May 21, I will co-host one of three shows in a series entitled Amazing Musicwomen with vocal musician Sandi Blair.

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Meanwhile, we are calling for a Symposium on Women in Arts.  Please LIKE this page at Facebook (https://www.facebook.com/symposiumonwomeninarts) and sign and share this petition: http://tinyurl.com/ks5byvs

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On May 2, at the Ferst Center in Atlanta, GA, I will be named the first

Lady Jazz Master by Black Women in Jazz & Fine Arts Awards among other astute women in music.

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Finally, we encourage everyone to nominate a woman musician/composer for the prestigious NEA Jazz Master Award for 2015. You can do this at http://arts.gov/honors/jazz

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Visit my website at www.joancartwright.com