We see a world where we, the people, no longer buy into the lie that the booksellers have been handing us about providing us with what we’re wanting to read – because we’ve now realized, beyond all doubt, that they’ve been providing us with what they want us to read in order to satisfy their own self-serving purposes.
Thus, we see a world where bookstores have changed their priorities entirely, so that now when you walk into a bookstore, the books which are most likely to bring you happiness and fulfillment are displayed prominently in the front of the store – while the books which were written solely for the purpose of frightening you or lining the author’s pockets are relegated to the obscure shelves in the back of the store.
We also see children’s books, now, written and distributed so that the child’s highest and best interests are served; and where the subject matter of these books is meant, not to subtly encourage our children to become better consumers, conformers, or soldiers, but to encourage them to be more resourceful, creative, and free-thinking people.
And finally, we see a world where authors, publishers, and booksellers alike have all moved away from praising and offering us stark tragedies. Now they have lightened up and filled the shelves with books that are meant to help us, books that warm our hearts, and books that have happy endings.
While whites in the jazz music industry got rich, black musicians did not reap equal benefits. The industry caused a great deal of exploitation and discrimination by whites against blacks. Rex Stewart said, “Where the control is, the money is. Do you see any of us running any record companies, booking agencies, radio stations, music magazines?” (Kofsky, 1998, p. 19).
Linked from the blog post: Who owns Jazz?
It’s 2020! It’s 22 years since Frank Kofsky recorded Rex Stewart’s quote. The part about controlling a music magazine is fulfilled in www.musicwomanmagazine.com
I own Musicwoman Magazine. I envisioned it, planned it, funded it, and created it.
The second issue is publishing in Spring 2020.
I am humbled by this accomplishment that enables me to create the narrative for and about women musicians, especially, women musicians of color who bring so much love, joy, and talent to the world.
Surf our site at www.wijsf.org where we promote women musicians, globally!
All the best in 2020!
Dr. Diva JC
Throughout the years, several people and organizations have felt me worthy of being honored. Those moments are documented here.
Priscilla Dames (right) of Wingspan Seminars in Miami, FL nominated
Joan Cartwright for the 2011 Pea’ce Award.
Thanks to Howard Mandel and Laurie Dapice for honoring me as a 2019 Jazz Journalist Association (JJA) Jazz Hero.
Thanks to Brian Zimmerman, Digital Editor of Jazziz Magazine for presenting the award. Thanks to Marika Guyton for organizing the award ceremony. Photos: Gregory Reed
Thanks to Old Dillard Foundation for partnering with Women in Jazz South Florida, Inc. for this program
The universe provides. Last week I got the news that the Speech class I taught for 3 years is moving online, leaving me without income in June-July. I cried. I felt helpless. However, as things always go, I have the opportunity to teach 3 classes at PBSC in Palm Beach Gardens, starting May 15, through the summer.
The doctoral dissertation of Dr. Joan R. Cartwright is officially available at
THE day I defended my dissertation was March 21, 2017 @ 5:08 p.m. That was the day I became Dr. Joan Renee Cartwright. It is different for sure being Dr. Cartwright, being addressed as Dr. Cartwright, being done at Northcentral University in Arizona, online.
One of the committee members asked what I will do next. Aside from managing
this is how I feel and see my future
Teaching Public Speaking for the past year has convinced me that the classroom is my new stage. Therefore, I am open also to teaching Business Marketing and Ethics.
Peace and Love,
Dr. Joan Cartwright
~ Professor Joan Cartwright