Bookstores

A Vision for Books and Bookstores

We see a world where we, the people, no longer buy into the lie that the booksellers have been handing us about providing us with what we’re wanting to read – because we’ve now realized, beyond all doubt, that they’ve been providing us with what they want us to read in order to satisfy their own self-serving purposes.

Thus, we see a world where bookstores have changed their priorities entirely, so that now when you walk into a bookstore, the books which are most likely to bring you happiness and fulfillment are displayed prominently in the front of the store – while the books which were written solely for the purpose of frightening you or lining the author’s pockets are relegated to the obscure shelves in the back of the store.

We also see children’s books, now, written and distributed so that the child’s highest and best interests are served; and where the subject matter of these books is meant, not to subtly encourage our children to become better consumers, conformers, or soldiers, but to encourage them to be more resourceful, creative, and free-thinking people.

And finally, we see a world where authors, publishers, and booksellers alike have all moved away from praising and offering us stark tragedies. Now they have lightened up and filled the shelves with books that are meant to help us, books that warm our hearts, and books that have happy endings.

See Dr. Cartwright’s Books

Owning Jazz

REX STEWARTWhile whites in the jazz music industry got rich, black musicians did not reap equal benefits. The industry caused a great deal of exploitation and discrimination by whites against blacks. Rex Stewart said, “Where the control is, the money is. Do you see any of us running any record companies, booking agencies, radio stations, music magazines?” (Kofsky, 1998, p. 19).

[Source and References: https://www.york.cuny.edu/academics/writing-program/the-york-scholar-1/volume-6.1-fall-2009/the-social-effects-of-jazz]

Linked from the blog post: Who owns Jazz?

It’s 2020! It’s 22 years since Frank Kofsky recorded Rex Stewart’s quote. The part about controlling a music magazine is fulfilled in www.musicwomanmagazine.com

1jcsketchbannerI own Musicwoman Magazine. I envisioned it, planned it, funded it, and created it.

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The second issue is publishing in Spring 2020.

I am humbled by this accomplishment that enables me to create the narrative for and about women musicians, especially, women musicians of color who bring so much love, joy, and talent to the world.

Surf our site at www.wijsf.org where we promote women musicians, globally!

All the best in 2020!

Dr. Diva JC

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Honors and Progress

Throughout the years, several people and organizations have felt me worthy of being honored. Those moments are documented here.

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Priscilla Dames (right) of Wingspan Seminars in Miami, FL nominated
Joan Cartwright  for the 2011 Pea’ce Award.

Thanks to Howard Mandel and Laurie Dapice for honoring me as a 2019 Jazz Journalist Association (JJA) Jazz Hero.

Thanks to Brian Zimmerman, Digital Editor of Jazziz Magazine for presenting the award. Thanks to Marika Guyton for organizing the award ceremony. Photos: Gregory Reed

Thanks to Old Dillard Foundation for partnering with Women in Jazz South Florida, Inc. for this program

The universe provides. Last week I got the news that the Speech class I taught for 3 years is moving online, leaving me without income in June-July. I cried. I felt helpless. However, as things always go, I have the opportunity to teach 3 classes at PBSC in Palm Beach Gardens, starting May 15, through the summer.

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Subscribe, today!

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https://musicwomanmagazine.wordpress.com

www.wijsf.org

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THE day I defended my dissertation was March 21, 2017 @ 5:08 p.m. That was the day I became Dr. Joan Renee Cartwright. It is different for sure being Dr. Cartwright, being addressed as Dr. Cartwright, being done at Northcentral University in Arizona, online.

One of the committee members asked what I will do next. Aside from managing

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this is how I feel and see my future

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Teaching Public Speaking for the past year has convinced me that the classroom is my new stage.  Therefore, I am open also to teaching Business Marketing and Ethics.

Peace and Love,

Dr. Joan Cartwright

 

Prof Cartwright’s Books on MJTVNetwork

Host Mimi Johnson interviews author Professor Joan Cartwright on the MJTV Network Home Shopping Broadcast – http://www.mjtvnetwork.info

CLICK to watch video. All Books are available at http://www.lulu.com/spotlight/divajc

http://www.drdivajc.wordpress.com

New Career

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Let’s talk transition and reinvention! This week, I transitioned from being a musician (63 years in total, 40-year career) to reinventing myself as Professor Cartwright, teaching Speech Communications at Southeastern College in West Palm Beach, FL to 10 students (3 were absent). The 7 in attendance had a ball (must be the entertainer in me)! The 4-hour class ended on a high note with each of the 7 stating what they learned from the first class. I asked them if they thought the 3 absentees missed anything and they replied, tumultuously, “They miss a LOT!” So, my first night class (6:30 – 10:30 p.m.) was a huge success! I am excited about my new career as a professor. I believe I have a lot to give students and that I can make their learning experience rich and worthwhile. Many night students have families and day jobs and are pretty worn by the time they come to class. My goal is to have them leave my class on an upbeat that will catapult them into the next day with new ideas and fresh insights. All in all, my first class was FABULOUS!

~ Professor Joan Cartwright

Professor Cartwright

Today, jc-tv1February 29, 2016, Professor Cartwright officially begins her journey as a college professor at Southeastern College in West Palm Beach, Florida, teaching Speech Communications or The Art of Public Speaking.

Having been a professional performer for over 40 years, Professor Cartwright has presented papers at several conferences on women’s music and the history of Jazz and Blues. She has toured in 19 countries as a vocalist and published 11 books.

Once her doctoral dissertation Women in Jazz: Music Publishing and Marketing is completed and accepted by Northcentral University, Professor Cartwright plans to continue lecturing and teaching business courses at various institutions. Her expected date of graduation is January 2017. Until that time, she will teach at SEC during the months of March, July, and November.

Visit her websites:

New Horizon!

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Leaning In re Women in Arts

ImageMy life has been inundated with music performance, since I was four years old. By 27, I had borne and raised two children and was on my second divorce. I had the opportunity to finish my Bachelor’s Degree in Music and Communications, in Philadelphia, where I also embarked on my professional career as a vocalist and composer. That was in 1977. By 1990, I owned a small business that placed legal secretaries in law firms. I was doing well but an opportunity arose for me to go to Europe. My children were engrossed in their own families and I was free to go on the road. I began touring in Europe, where I moved in 1994, after completing my Master’s Degree in Communications, in Florida. For eight years, I lived a charmed life touring from country to country, singing Jazz and Blues. In 1996, I moved back to Florida, where I knew I would be challenged to earn the living I earned in Europe. I developed a program to teach K-12 students about women in Jazz. Through grants, I was able to deliver 10 to 20 presentations a year with piano accompaniment. The presentation evolved into a book entitled Amazing Musicwomen.
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In 2007, I realized that since 1977, I had worked predominantly with male musicians. I was the bandleader and had only worked with a handful of female musicians in the U.S. and only two women in Europe. I decided to lean in and focus on identifying women musicians whom I could hire. There were few in Florida. I incorporated a non-profit organization Women in Jazz South Florida, Inc. as a 501(c)(3) that supports women musicians, globally. In seven years, the membership grew to 271 with 144 musicians and 51 men. I wrote several grant proposals and many of them were awarded to WIJSF for musical presentations. Many friends suggested that I should concentrate on my own career rather than spend time promoting other women in music. I disagreed. It was my passion to connect as many women instrumentalists and composers as I could.
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In July 2014, my members and friends donated $3,645 for me to travel to Fiuggi, Italy for the WIMUST Conference, Women in Music Using Strategies for Talent, presented by Fondazione Adkins-Chiti: Donne in Musica. I was the ONLY composer from the U.S.A. and the only woman of color to participate in this conference of 40 women composers from the European Union. Since 2010, we have produced four compilation CDs of the original music of 34 women composers and the last one just won the first award for Best Compilation CD produced by a Black Woman. I have been vigilant about making people aware of the importance of consciously including women musicians in their programming.
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The statistics are eye-opening, since women pay 53% of the taxes on the planet but benefit from less than 10% of public funding for the arts. Paintings of nude women by men hang on the walls of noted art museums but only 5% of the artwork on the walls is by women. Women writers, architects, painters, and musicians are terribly marginalized in the billion-dollar art world and few people even realize this disparity, particularly women. My goal is to continue to speak out about the marginalization of women in the arts primarily because a nation is only as strong as its cultural producers and the messages in women’s art is paramount to the enlightenment of all people.
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I have called for a Symposium on Women in Arts at The White House in July 2015, and started a petition on Change.org, which 269 people have signed since April. The purpose of the Symposium is to bring together women from all artistic disciplines to strategize about increasing the profile and earning capacity of women in the arts. I will continue to lean in on this platform until people awaken to the importance of valuing the messages in women’s art to society-at-large. The messages people receive are predominately male – aggression, competition, violence, fear, and dominance will preponderate, until people awaken to the messages in women’s art. Likewise, the earning power of women in music, art, literature, architecture, filmmaking, and other arts must increase for the betterment of society. Women hold up more than half of the sky but down here on the ground women continue to be devalued as second class citizens specifically because the messages in their artistic production are not getting through to adults and children. This paradigm must shift.
Please LIKE this page: Symposium for Women in Arts on Facebook
Please Sign and Share this Petition
Join WIJSF, today!
Thanks,
Joan Cartwright, M.A.