You work all your life to fulfill your purpose. You put in hours to learn your craft, instrument, or discipline. You grow older and retire from your profession, and you wonder, “Who really cares?”
Then, you meet a group of women who recognize your accomplishments. That makes it all worth it. The group of women who hold me in high esteem, and I them, is the National League of American Pen Women. I was inducted into the Boca Raton, Florida, branch by Sheila Firestone.
In 2019, Virginia Franklin Campbell submitted this article about me to the NLAPW Magazine. http://www.nlapw.org/legends-joan-cartwright/
I am honored and humbled by the appreciation shown to me by these talented authors, artists, and musicians.
Then, in 2020, Charlene Farrington, Director of Spady Cultural Heritage Museum, chose to exhibit my collection of jazz artwork from September through February 2021. Ah, in the middle of a pandemic, there is a slice of light!
See some of the art and my story about the art collection at these links:
We see a world where we, the people, no longer buy into the lie that the booksellers have been handing us about providing us with what we’re wanting to read – because we’ve now realized, beyond all doubt, that they’ve been providing us with what they want us to read in order to satisfy their own self-serving purposes.
Thus, we see a world where bookstores have changed their priorities entirely, so that now when you walk into a bookstore, the books which are most likely to bring you happiness and fulfillment are displayed prominently in the front of the store – while the books which were written solely for the purpose of frightening you or lining the author’s pockets are relegated to the obscure shelves in the back of the store.
We also see children’s books, now, written and distributed so that the child’s highest and best interests are served; and where the subject matter of these books is meant, not to subtly encourage our children to become better consumers, conformers, or soldiers, but to encourage them to be more resourceful, creative, and free-thinking people.
And finally, we see a world where authors, publishers, and booksellers alike have all moved away from praising and offering us stark tragedies. Now they have lightened up and filled the shelves with books that are meant to help us, books that warm our hearts, and books that have happy endings.
When we think of fortune, we think of massive wealth, treasure hunts, gold mines, and fantastic hordes of gems and jewels. But this year, my idea of fortune is how I am feeling right now, today. Yesterday, I submitted final grades for my four classes of Speech Communication with 110 students. Also, I completed editing my roomie’s book on graceful aging.
Today, I feel accomplished, relieved, and euphoric that, during a pandemic, I am still earning a living by doing what I love. I enjoy teaching young people how to communicate impactfully. In my classes, people age 16 to 50 learn three things:
- Critical thinking
- Critical listening
- Outlining and References in APA Style
Now, that looks like a shortlist for a college course. But ask my students if it is that simple. They will tell you it is not.
So, I’m feeling accomplished because I managed to pull 90% of my students through the switch to online learning, once the lockdown caused our school to close. Of 110 students, seven dropped the course before the lockdown. Nine failed the course because they gave up due to technical difficulties. Perhaps, they did not have a computer or laptop. They may not have WiFi or an internet connection. They could have children at home and not be able to concentrate on schoolwork. There are a plethora of reasons why 16 students did not get through my Speech Communication course.
On the bright side, of the 94 students who made it through, there were:
- 44 As or 40%
- 28 Bs or 25%
- 14 Cs or 18%
- 8 Ds or 7%
- 10% of my 110 students this semester either dropped before or after the lockdown
I am off for 18 days. I will teach this course over the summer in three classes. Two are 12 weeks and one is six weeks. My challenge is to revert back to my lesson plans for shorter courses since the Fall and Spring terms were 16 weeks long. The fortune is that I taught this class in ONE month at three other schools. So, my real goal is to relax and enjoy my time off.
While whites in the jazz music industry got rich, black musicians did not reap equal benefits. The industry caused a great deal of exploitation and discrimination by whites against blacks. Rex Stewart said, “Where the control is, the money is. Do you see any of us running any record companies, booking agencies, radio stations, music magazines?” (Kofsky, 1998, p. 19).
Linked from the blog post: Who owns Jazz?
It’s 2020! It’s 22 years since Frank Kofsky recorded Rex Stewart’s quote. The part about controlling a music magazine is fulfilled in www.musicwomanmagazine.com
I own Musicwoman Magazine. I envisioned it, planned it, funded it, and created it.
The second issue is publishing in Spring 2020.
I am humbled by this accomplishment that enables me to create the narrative for and about women musicians, especially, women musicians of color who bring so much love, joy, and talent to the world.
Surf our site at www.wijsf.org where we promote women musicians, globally!
All the best in 2020!
Dr. Diva JC
Diversity and Inclusion Racket Rules
By Dr. Chanda Prescod-Weinstein [https://theriveter.co]
#1: If you have to choose between supporting a Black woman and supporting a white (male) ally you feel has been supportive of Black women, definitely blackball the Black woman because diversity and inclusion is about supporting allies.
#2: Allies always deserve awards and cake and cookies.
#3: It’s important to persist in saying “women and minorities” as if someone can’t be both. In relation, regularly point out that there are increasing numbers of women at your conference without ever noting that almost all of them are white.
#4: Use “intersectionality” a lot but never read Kimberlé Crenshaw’s papers.
#5: Say that you can’t challenge inappropriate behavior because the person engaging in it is a person of color, so you just have to watch terrible things happen and can’t step in.
#6: If you’re white, intentions are all that matter. If you’re not white, what matters is how you make white colleagues feel.
#7: When a white woman cries, it is sad. It’s too bad they’re so emotional but you just have to be sensitive. Black women having any kind of feelings is an overreaction, however.
#8: Pretend like Black, Indigenous, and POC (BIPOC) men don’t (sexually) harass Black, Indigenous and other women of color/nonbinary people and like we’re all one giant monolith.
#9: Treat “underrepresented minority” like it is a racial monolith. Never think through what it means when you categorize white Spaniards as people of color. Assume that Indigenous people and non-Black people of color are never anti-Black.
#10: It is always better to publish more (mediocre) papers than to make room for Black and Indigenous women to thrive, so always choose the white candidate with more traditional qualifications, even if your workplace is desperately white.
#11: Always assume Black women and other POC are not disabled. Assume all the disabled people are white. Also, assume disabled people are just being difficult when they ask for what they need and are entitled to, but also make sure to regularly say that inclusion and access matter a lot.
#12: Assume that you can just hire women from other countries to address your department’s diversity issues. If you’re international, complain that domestic people of color complain too much, and don’t work hard enough.
#13: Assume women from other countries don’t need support confronting racism, xenophobia, and sexism because America is great.
#14: Talk a good diversity, inclusion and equity game but also never report the racist and sexist comments you hear during hiring discussions to your affirmative action office or literally anyone who might do something.
#15: Give props (awards, cookies, cake, parties) to white people who do diversity work and question the basic competence and time management skills of everyone else who does it (especially if they seem better at it than your local white award winners).
#16: Diversity is important but not at the expense of excellence. Tell that to students of color wondering why their professors are all white. Tell that to the scholars you could be hiring to teach those students, if only they were excellent enough. Also remember that diversity of thought is important, which is why we value those who seek to debate the value of people of color and Indigenous humanity and cultures.
#17: It is totally fine to take in a Black mentee that you treat like a pet you saved from euthanasia, but please don’t do anything radical like put up a sign saying your student’s life matters. Anti-racism and diversity do not go together.
#18: Exploit strategic disagreements between Black/Indigenous/people of color (BIPOC). Exploit them for your own professional gain if you can! Especially if you are BIPOC: make sure you are the only one who gets through the door.
#19: Threaten white people who are being good accomplices to BIPOC with professional ruin. If you can, refer to them as, “witch hunters!”
#20: Publicly state that you want a diverse applicant pool, heavily recruit BIPOC candidates, take up their time with interviews, and never tell them there’s no way the decision-makers see them as anything but a checkbox for the higher-ups. Hire a white guy.
#21: Assume that BIPOC with less prestigious institutional affiliations and professional accomplishments are individual failures, not people who might do well given the right circumstances. Assume those with lots of prestige didn’t earn it.
#22: This one is very popular: Organize diversity fellowships and hiring programs with very little buy-in from the people who make the final hiring decision. Do nothing to incentivize buy-in from those people. Wonder and/or don’t care why the program fails.
#23: If you’re a white queer man, demand access to programs designed to encourage people of color and white women’s participation in your area of work. Forget to pretend that you care about non-binary people. Think only of yourself.
#24: Only hire BIPOC people who have secured lasting success somewhere else. Why increase overall numbers nationally when you can cheaply change your local numbers? Don’t give new voices a chance — they’re risky and too activist.
#25: Never ever talk about colorism. You don’t even see color!!!
#26: Completely depend on intellectual work coming out of ethnic studies and feminist studies programs that shape social science research on diversity. Do nothing to support these programs when they are attacked by the press and politicians.
#27: There is nothing more dangerous than a woman or non-binary (enby) person of color who knows what they are about and refuses to sell themselves to you. Literally, they are very dangerous. Shut them down.
#28: If you must stop a person of color from doing something harmful, do it in the most damaging way possible. Treating people like they are disposable is the best way to build a more diverse, inclusive and equitable world.
#29: Use “decolonization” and “diversity” interchangeably. Call Black people settlers. (Finally, something where white people and Black people are equally at fault!)
#30: If you’re a university leader, hire a VP for diversity, equity, and inclusion when students ask for more BIPOC tenure track faculty. If the new hire is a white man, tell students of color who complain that they are racist. If they are a BIPOC, give them very little institutional power.
#31: If you’re going to hire Black people, only hire Black men. Remember, it’s about “women and minorities.” All the Blacks are men. Ignore the trail of sexual misconduct stories following him around because Black men have it hard, and Black women aren’t even on your radar. Besides, he’s Black, what else do you expect from him?
#32: Make sure to always talk to Black people about their tone. Until they sort out their tone, white people can’t stop being racist. That’s how that works. When Black people cater to white people’s emotional well-being, white people will start treating Black people like they are equals.
#33: Assume BIPOC want to do diversity work and are competent to mentor other BIPOC. Never mind that BIPOC who get through the door have often been selected for their ability to mimic the ways of white academics.
#34: Extract work from Black women and enbies. Then extract some more. Then some more. Then some more. Note with curiosity that Black women academics seem to die young/lose their minds. Ask the local Black woman/enby to explain how to fix this.
#35: Say you support a woman of color, you’re a big fan in fact, but also remember that her tweets come on too strong in your view. Make a point of excluding her from conferences and other events, thereby validating all of her angry tweets.
#36: If you’re white, only listen to BIPOC that you’re friends with or who make you comfortable.
#37: Start a Diversity and Inclusion business, take ideas from Black women and never credit them, privately gossip about how those Black women are a problem because of their tone and attitude. Build your business around saying you are a pro-Black woman.
#38: Reading is not fundamental. Anyone who believes they care about diversity, equity and inclusion can be a leader on diversity and inclusion.
#39: Ignore the fact that Asia is a giant umbrella with over 50 ethnicities and national identities. Also, don’t bother specifying Asian-American when that’s what you mean. Always just say “Asians.”
#40: Because some Asian ethnic groups are overrepresented or fairly represented in science, act like they all are. I mean, is the difference between Hmong and Taiwanese even important?
#41: Once you have a token BIPOC, preferably a woman and/or femme, to shut down the radicals, consider your work done for the decade.
#42: The BIPOC who agrees with you is the good one.
#43: Never go beyond the bare minimum of what the ADA requires. Like jeez, most of the time people don’t even respect the ADA, so you’re pretty cool.
#44: It doesn’t matter whether the Native American you hired is in good relations with their community. All that matters is that they checked a box, and now you get to check one too! It also doesn’t really matter if you ever learn anything about the tribal communities that are local to you.
#45: Instead of hiring minoritized tenure track faculty who are competent at mentoring marginalized students at your university, only hire lower-income full-time staff who have no hope of job stability at your institution.
#46: Proclaim poverty in the face of an endowment that is only $300 million. Say you’d stop hiring only white faculty if you just had $1 billion instead.
#47: Admonish minoritized people who, after years of begging for institutional support, organize wildly successful events without institutional buy-in. They should have let you get credit for their hard work and success!
#48: If they can’t beat you, pressure them into joining you. Institutionalize critics with new, powerless administrative roles, ASAP. Then when things are still overall terrible, you can blame that person and say it was all the POC’s idea.
#49: Organize events on diversity, intersectionality, and decolonization. Confine abstract submission to “practical” suggestions that don’t disrupt the status quo. Select participants by computer, because expertise and investment don’t matter.
#50: Act like America hasn’t always been racist. Act like America isn’t a settler colonial nation. Act like Native American sovereignty is just a matter of inclusion.
Dr. Chanda Prescod-Weinstein is an assistant professor of physics and core faculty in women’s and gender studies at the University of New Hampshire. Find her on Twitter @IBJIYONGI and the web: http://profcpw.com.
Throughout the years, several people and organizations have felt me worthy of being honored. Those moments are documented here.
Priscilla Dames (right) of Wingspan Seminars in Miami, FL nominated
Joan Cartwright for the 2011 Pea’ce Award.
Thanks to Howard Mandel and Laurie Dapice for honoring me as a 2019 Jazz Journalist Association (JJA) Jazz Hero.
Thanks to Brian Zimmerman, Digital Editor of Jazziz Magazine for presenting the award. Thanks to Marika Guyton for organizing the award ceremony. Photos: Gregory Reed
Thanks to Old Dillard Foundation for partnering with Women in Jazz South Florida, Inc. for this program
The universe provides. Last week I got the news that the Speech class I taught for 3 years is moving online, leaving me without income in June-July. I cried. I felt helpless. However, as things always go, I have the opportunity to teach 3 classes at PBSC in Palm Beach Gardens, starting May 15, through the summer.
The Jazz Journalists Association is pleased to announce the 2019 Jazz Heroes: Advocates, altruists, activists, aiders, and abettors of jazz who have had a significant impact in their local communities. The ‘Jazz Hero’ awards, made annually on the basis of nominations from community members, are presented by their local fans and friends in conjunction with the JJA’s annual Jazz Awards honoring significant achievements in jazz music and journalism. Please spread the word of Jazz Heroes you know as neighbors and admire, via your own social media posts. See all JJA Jazz Awards for 2019 Jazz Heroes
Dr. Joan Cartwright
2019 South Florida Jazz Hero
Dr. Joan Cartwright is a professor of Speech Communication at Southeastern College in West Palm Beach, Florida and in 2017 completed her Doctorate in Business Administration/ Marketing (DBA) at Northcentral University in Arizona, but it’s for her writing, composing, lecturing, producing, research and documentation concerning women composers (especially) in jazz and blues, and for her founding in 2007 of the non-profit Women In Jazz South Florida, Inc., that the Jazz Journalists Association hails her as 2019 South Florida Jazz Hero.
Dr. Cartwright is clearly a person of many parts and high energy. In the 12 years of its existence, WIJSF has released six compilation albums, comprising 63 songs from 45 women composers. Since 2008, she has hosted 300 episodes on MUSICWOMAN Radio, published four Catalogs of Women in Arts & Business and Musicwoman Magazine’s premier edition. She has published 14 books with her own FYI Communications, Inc. on lulu.com. She is an ASCAP-affiliated publisher and songwriter, a member of National League of American Pen Women, and through WIJSF maintains international relations with diverse peer groups. She blogs and has contributed to the South Florida Times, In Focus Magazine, Global Woman Magazine and Encyclopedia of the African Diaspora. She has an impressive array of academic accreditations and has been honored by several professional associations. But one senses that the devotion of her WIJSF members, and the continuous support of her daughter Mimi Johnson, with whom she owns MJTV Network (“Positive Influential Television”), is based on personal qualities that imbue her larger projects.
Among those is a goal to build the Musicwoman Archive to house the musical and literary works of women musicians and provide performance and educational center where women musicians can thrive. In educational workshops Dr. Cartwright presents, which highlight the pitfalls and benefits of the music business, she insists that “Knowing music theory is a step in the right direction for any singer who truly wants to excel in the world of music!” Yet her own breadth of endeavors — acting, singing, media creation, marketing, advertising, public speaking, and public relations skills as well as command of theory are arrows in her quiver — attests to the reach she models for all women, all artists, anyone whose ambitions extend to being creative, innovative, expressive, self-realized, in the moment while communing with others, sharing experience, telling truth, seeking beauty — in other words, living as a Jazz Hero. ~ Howard Mandel
Dr. Cartwright will receive her JJA Jazz Heroes Award on April 25, 2019 at this event
In July 2017, I completed my Doctorate in Business Administration/Marketing. I had been teaching Speech Communication since February 2016. I am still there. However, I only teach this class every four months and this does not sustain me. I had been teaching at Keiser University in Pembroke Pines but that was a commute of 100 miles per day, three days a week, and my car finally broke down. This commute cost me $250 in gas and tolls per month and the university did not reimburse me for those funds.
In the past three years, I have submitted hundreds of applications to schools in Florida like FAU, Palm Beach State College, Miami-Dade College, Strayer College, Lynn University, Broward College, and others. I had one interview in 2016, and nothing since then.
In actuality, very little has changed. White women continue to dominate the employment rolls. Black women are rarely seen waitressing, as airline stewardesses, on corporate boards, or as professors in the academy.
Last week, I found this article that explains why I am not getting hired to teach:
In fall 2016, of the 1.5 million faculty in degree-granting postsecondary institutions, 53 percent were full time and 47 percent were part-time. Faculty included professors, associate professors, assistant professors, instructors, lecturers, assisting professors, adjunct professors, and interim professors.
Of all full-time faculty in degree-granting postsecondary institutions in fall 2016, 41 percent were White males; 35 percent were White females; 6 percent were Asian/Pacific Islander males; 4 percent were Asian/Pacific Islander females; 3 percent each were Black males, Black females, and Hispanic males; and 2 percent were Hispanic females.1 Those who were American Indian/Alaska Native and those who were of Two or more races each made up 1 percent or less of full-time faculty in these institutions.
The racial, ethnic, and sex distribution of faculty varied by academic rank. For example, among full-time professors, [82% were white] 55 percent were White males, 27 percent were White females, 7 percent were Asian/Pacific Islander males, and 3 percent were Asian/Pacific Islander females. Black males, Black females, and Hispanic males each accounted for 2 percent of full-time professors. Source: https://nces.ed.gov/fastfacts/display.asp?id=61
A study by UCLA rendered statistics about equity and diversity of Blacks in the academy and yielded the following numbers for the State of Florida.
This reported showed that “For every full-time Black faculty member at a public college or university, there are 42 full-time, degree-seeking Black undergraduates. Forty
institutions employ no full-time Black instructors. On 44% of public campuses, there are 10 or fewer full-time Black faculty members across all ranks and academic fields.” [Source]
My conclusion is that I need to find some other women of color with doctorates who have been unable to obtain employment. The travesty is that African-American women are the most educated group in the USA but are only 2-3% of teachers in the academy. We have hundreds of thousands of dollars in student loans to repay but cannot get jobs with good salaries to pay off our debts.
Colleges and universities (in class or online) have no problem taking our money, signing us up for financial aid, knowing well that the policy of their institutions is to avoid hiring us. This is racial discrimination of the highest order. We suffer from gender discrimination as well and those of us who are middle-aged or above suffer from age discrimination.
Even at historically black colleges and universities like Howard University, a historically black institution in Washington, D.C., the faculty is only 58% black.
The disproportionate number of black, tenure-track college and university instructors — one out of every five — are clustered at 72 historically black four-year institutions that report the race of their employees. This despite the fact that those schools account for just 1.7% of all faculty nationwide.
Many predominantly white four-year public and nonprofit colleges and universities that have been promising for years to improve the diversity of their teaching ranks have made almost no progress in doing so.
In fact, the proportion of annual faculty hires who are black did not increase in the 10 years ending in 2016, the most recent period for which the figures are available; it fell slightly, from 7 percent to 6.6 percent, according to additional federal data analyzed by The Hechinger Report. Source: https://hechingerreport.org/after-colleges-promised-to-increase-it-hiring-of-black-faculty-declined/
It is time to bring this travesty to light. It is time for women of color to step up to the plate and call out the universities and colleges in this country for blatant racial, gender, and age discrimination. Perhaps, a class-action suit against colleges and universities will help to solve this problem in the USA.
Accreditation does now require diversity.
Accreditation is a voluntary, nongovernmental process involving the self-regulation of higher education that serves two purposes: assuring the public of quality and fostering institutional improvement. Accrediting agencies in the U.S. serve a broad range of institutions, thus making it difficult to implement diversity regulations across the board. Many agencies use standardized diversity policies or recommend that colleges and universities create their own objectives in this area, while others have relatively few or no requirements included in their accreditation standards. [Source]
Regarding diversity for the Southern Association of Colleges and Schools Commission on Colleges stated that, “When peer reviewers evaluate a school for accreditation, they look to see if it claims to promote diversity and inclusion in its mission statement, and if so, they assess the institution’s efforts to do so” (Wheelan, 2005). [Source]
The Accrediting Council for Independent Colleges and Schools (ACICS) is the largest national accrediting organization of degree-granting institutions that offer programs in professional, technical, and occupational fields. Perliter Walters-Gilliam, ACICS associate vice president of quality enhancement and training, says the council does not specifically have a diversity requirement in its accreditation standards. “The expectation is that diversity is included in the planning document every campus is required to complete,” Walters-Gilliam says. Specifically, each institution must complete an assessment of the effectiveness of its own diversity and inclusion efforts. [Source]
The Western Association of Schools and Colleges (WASC) Senior College and University Commission (WSCUC) is a regional accrediting agency serving public and private higher education institutions throughout California, Hawaii, and the Pacific, as well as a limited number of institutions outside the U.S. in countries such as the United Arab Emirates and Armenia. The commission uses a diversity policy in its accreditation guidelines, holding schools to both societal standards of institutional behavior and its own subset of standards. “Quality and diversity are profoundly connected in pursuing goals in the mission statements of colleges and universities themselves: goals of expanding knowledge, educating capable citizens, and serving public needs,” the policy states. [Source]
A poll I conducted on Facebook in March revealed that 70% of Black women professors are adjuncts, meaning that they have little job security and no benefits. “And most of those [30%] that are tenured work at HBCU’s[, while] only 2 percent work in primarily white institutions,” according to a Facebook poster.
Some 73 percent of all faculty positions are off the tenure track, according to a new analysis of federal data by the American Association of University Professors. “For the most part, these are insecure, unsupported positions with little job security and few protections for academic freedom,” reads AAUP’s “Data Snapshot: Contingent Faculty in U.S. Higher Ed.” The report is based on the most recent data from the Integrated Postsecondary Education Data System, from 2016 (Flaherty, 2018).
For three years, I have taught Speech Communication at a South Florida vocational college for medical students. I teach in March, July, and October. My bills are every month. I have not been able to acquire another course in my discipline – Business Administration/Marketing. One woman responded to my question: “Should we file a class action suit against colleges and universities” in this way, “I agree, Black women, in particular, we are the most educated of the groups and yet we continue to be pushed to the margins. She stated further that, “The problem is, although the research shows this, Black women would be reluctant to come aboard [for a class action suit] because it would kill their careers in higher education.”
In my opinion, some of us have nothing to lose and everything to gain.
In response to this post, a young MBA student from California, called me, today (April 4, 2019) to say that one reason why I might not be getting a response to my job applications is that I graduated from a university that is ASBCP accredited but not AACSB accredited, which is preferred.
ACBSP is a leading accrediting agency in the learning outcomes category. Like the AACSB, ACBSP has a rigorous review process to ensure programs meet accreditation standards, including assigning a mentor to help schools complete a plan for self-study. For more information on these accreditations go to https://programs.online.utica.edu/articles/aacsb-vs-acbsp-mba-accreditation
Ageism is more of a problem for women seeking employment.
A few years ago, the San Francisco Federal Reserve released one of the largest-ever studies on age discrimination in the workforce. After strategically submitting more than 40,000 fake applications to low-paying jobs often held by older workers (administrative assistants, janitorial staff, etc.), they found that young and middle-aged applicants had higher callback rates than older ones, and older female applicants fared far worse than their male counterparts. However, “Workers age 40 and up are protected by the Age Discrimination in Employment Act (ADEA), which forbids employers from treating applicants or employees less favorably because of their age through all aspects of employment. This does not protect employees under age 40, though some states have laws that do. ADEA also protects employees from harassment and from any employment policies that, specifically, have a negative impact on employees 40 or older” (Castle, 2019).
- There are 8,300 professors of science, engineering, and technology (SET) in the UK and only 35 are black. https://www.timeshighereducation.com/blog/why-my-professor-still-not-black#survey-answer
- Melissa Thomas-Hunt https://news.vanderbilt.edu/2018/07/09/thomas-hunt-named-faculty-director-for-moore-college
- Castle, B. (2019). Age Discrimination: What It Looks Like, and What to Do When It Happens. Retrieved from https://www.inhersight.com/blog/guide/age-discrimination-what-to-do
- Flaherty, C. (2018). A non-tenured-track profession? Retrieved from https://www.insidehighered.com/news/2018/10/12/about-three-quarters-all-faculty-positions-are-tenure-track-according-new-aaup
- Harper, S. R. (2018). Black male student-athletes and racial inequities in NCAA Division I college sports: 2018 edition. Los Angeles: University of Southern California, Race and Equity Center.
- Harper, S. R., Smith, E. J., & Davis III, C. H. F. (2018). A critical race case analysis of Black undergraduate student success at an urban university. Urban Education, 53(1), 3-25.
- Mayhew, M. J., Rockenbach, A. N., Bowman, N. A., Seifert, T. A., Wolniak, G. C., Pascarella, E. T., & Terenzini, P. T. (2016). How college affects students (Vol. 3): 21st-century evidence that higher education works. San Francisco: Jossey-Bass.
- Neumark, D., Burn, I., and Button, P. (2017). Age Discrimination and Hiring of Older Workers. Retrieved from https://www.frbsf.org/economic-research/files/el2017-06.pdf
- Smith, D. G., Turner, C. S. V., Osei-Kofi, N., Richards, S. (2004). Interrupting the usual:
Successful strategies for diversifying the faculty. Journal of Higher Education, 75(2). 131-160.
- Turner, C. S. V. (2002). Diversifying the faculty: A guidebook for search committees. Washington, DC: Association of American Colleges and Universities.
- Turner, C. S.V., González, J. C., & Wood, J. L. (2008). Faculty of color in academe: What 20 years of literature tells us. Journal of Diversity in Higher Education, 1(3), 139-168.
While in Florida, I sought out Joan Cartwright. She interviewed me on her podcast www.blogtalkradio.com/musicwoman in 2014 and 2018. She is the founder and executive director of Women in Jazz of South Florida. I wanted to meet the Woman behind the Mic who was supporting women in jazz. As the day unfolded, I was enriched and enlightened. Evolved!
Joan has traveled the world as a vocalist, musician, composer, and author of several books. I was lucky enough for two of them to land in my lap. She gives lectures, worldwide, and has earned the highest education in Music, Communication, and Business Marketing. She hosted a trip through Boynton Beach and took me to her home and prepared lunch for me!
She asked me if I would like a reading and, now, I am glad I said yes. It was about me standing in the white light, even in song, residing there in the blue center of the white light. I was blown away. Then, she asked me if I was ready to become a member. I figured she earned that. She has worked very hard to support Women in Jazz and was the very light that she read about in that reading. It was so beautiful I am going to transcribe it. I am officially a member of Women in Jazz of South Florida. Please check out wijsf.org to become a member.
Also, check out her book Amazing Musicwomen. I was in need of inspiration and what they say is true! “If you’re in need of something and remain open to it, Divine Order will place it right in front of you. She is the kind of woman I could learn a lot from, having traveled the same journey as I am traveling. She has achieved a higher consciousness and superlative light!
Joan, thank you for your books, wisdom, and inspiration. ~ Laurie Dapice
I encourage others to seek her and WIJSF out as well as her radio show. The force of Women in Jazz is dynamic and you should be eager to be a part of something much bigger than you 🌴 Here is Joan singing: