Honors and Progress

Throughout the years, several people and organizations have felt me worthy of being honored. Those moments are documented here.

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Priscilla Dames (right) of Wingspan Seminars in Miami, FL nominated
Joan Cartwright  for the 2011 Pea’ce Award.

Thanks to Howard Mandel and Laurie Dapice for honoring me as a 2019 Jazz Journalist Association (JJA) Jazz Hero.

Thanks to Brian Zimmerman, Digital Editor of Jazziz Magazine for presenting the award. Thanks to Marika Guyton for organizing the award ceremony. Photos: Gregory Reed

Thanks to Old Dillard Foundation for partnering with Women in Jazz South Florida, Inc. for this program

The universe provides. Last week I got the news that the Speech class I taught for 3 years is moving online, leaving me without income in June-July. I cried. I felt helpless. However, as things always go, I have the opportunity to teach 3 classes at PBSC in Palm Beach Gardens, starting May 15, through the summer.

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www.wijsf.org

JJA Jazz Hero

The Jazz Journalists Association is pleased to announce the 2019 Jazz HeroesAdvocates, altruists, activists, aiders, and abettors of jazz who have had a significant impact in their local communities. The ‘Jazz Hero’ awards, made annually on the basis of nominations from community members, are presented by their local fans and friends in conjunction with the JJA’s annual Jazz Awards honoring significant achievements in jazz music and journalism. Please spread the word of Jazz Heroes you know as neighbors and admire, via your own social media posts. See all JJA Jazz Awards for 2019 Jazz Heroes

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Dr. Joan Cartwright

2019 South Florida Jazz Hero

Dr. Joan Cartwright is a professor of Speech Communication at Southeastern College in West Palm Beach, Florida and in 2017 completed her Doctorate in Business Administration/ Marketing (DBA) at Northcentral University in Arizona, but it’s for her writing, composing, lecturing, producing, research and documentation concerning women composers (especially) in jazz and blues, and for her founding in 2007 of the non-profit Women In Jazz South Florida, Inc., that the Jazz Journalists Association hails her as 2019 South Florida Jazz Hero.

Dr. Cartwright is clearly a person of many parts and high energy. In the 12 years of its existence, WIJSF has released six compilation albums, comprising 63 songs from 45 women composers. Since 2008, she has hosted 300 episodes on MUSICWOMAN Radio, published four Catalogs of Women in Arts & Business and Musicwoman Magazine’s premier edition. She has published 14 books with her own FYI Communications, Inc. on lulu.com. She is an ASCAP-affiliated publisher and songwriter, a member of National League of American Pen Women, and through WIJSF maintains international relations with diverse peer groups. She blogs and has contributed to the South Florida TimesIn Focus MagazineGlobal Woman Magazine and Encyclopedia of the African Diaspora. She has an impressive array of academic accreditations and has been honored by several professional associations. But one senses that the devotion of her WIJSF members, and the continuous support of her daughter Mimi Johnson, with whom she owns  MJTV Network (“Positive Influential Television”), is based on personal qualities that imbue her larger projects.

Among those is a goal to build the Musicwoman Archive to house the musical and literary works of women musicians and provide performance and educational center where women musicians can thrive. In educational workshops Dr. Cartwright presents, which highlight the pitfalls and benefits of the music business, she insists that “Knowing music theory is a step in the right direction for any singer who truly wants to excel in the world of music!” Yet her own breadth of endeavors — acting, singing, media creation, marketing, advertising, public speaking, and public relations skills as well as command of theory are arrows in her quiver — attests to the reach she models for all women, all artists, anyone whose ambitions extend to being creative, innovative, expressive, self-realized, in the moment while communing with others, sharing experience, telling truth, seeking  beauty — in other words, living as a Jazz Hero. ~ Howard Mandel

 

Dr. Cartwright will receive her JJA Jazz Heroes Award on April 25, 2019 at this event

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No work for Black PhD Women

In July 2017, I completed my Doctorate in Business Administration/Marketing. I had been teaching Speech Communication since February 2016. I am still there. However, I only teach this class every four months and this does not sustain me. I had been teaching at Keiser University in Pembroke Pines but that was a commute of 100 miles per day, three days a week, and my car finally broke down. This commute cost me $250 in gas and tolls per month and the university did not reimburse me for those funds.

In the past three years, I have submitted hundreds of applications to schools in Florida like FAU, Palm Beach State College, Miami-Dade College, Strayer College, Lynn University, Broward College, and others. I had one interview in 2016, and nothing since then.

In actuality, very little has changed. White women continue to dominate the employment rolls. Black women are rarely seen waitressing, as airline stewardesses, on corporate boards, or as professors in the academy. 

 

Last week, I found this article that explains why I am not getting hired to teach:

In fall 2016, of the 1.5 million faculty in degree-granting postsecondary institutions, 53 percent were full time and 47 percent were part-time. Faculty included professors, associate professors, assistant professors, instructors, lecturers, assisting professors, adjunct professors, and interim professors.

Of all full-time faculty in degree-granting postsecondary institutions in fall 2016, 41 percent were White males; 35 percent were White females; 6 percent were Asian/Pacific Islander males; 4 percent were Asian/Pacific Islander females; 3 percent each were Black males, Black females, and Hispanic males; and 2 percent were Hispanic females.1 Those who were American Indian/Alaska Native and those who were of Two or more races each made up 1 percent or less of full-time faculty in these institutions.

The racial, ethnic, and sex distribution of faculty varied by academic rank. For example, among full-time professors, [82% were white] 55 percent were White males, 27 percent were White females, 7 percent were Asian/Pacific Islander males, and 3 percent were Asian/Pacific Islander females. Black males, Black females, and Hispanic males each accounted for 2 percent of full-time professors. Source: https://nces.ed.gov/fastfacts/display.asp?id=61

A study by UCLA rendered statistics about equity and diversity of Blacks in the academy and yielded the following numbers for the State of Florida.

florida black students and faculty report

[Source]

This reported showed that “For every full-time Black faculty member at a public college or university, there are 42 full-time, degree-seeking Black undergraduates. Forty
institutions employ no full-time Black instructors. On 44% of public campuses, there are 10 or fewer full-time Black faculty members across all ranks and academic fields.” [Source]

My conclusion is that I need to find some other women of color with doctorates who have been unable to obtain employment. The travesty is that African-American women are the most educated group in the USA but are only 2-3% of teachers in the academy. We have hundreds of thousands of dollars in student loans to repay but cannot get jobs with good salaries to pay off our debts.

Colleges and universities (in class or online) have no problem taking our money, signing us up for financial aid, knowing well that the policy of their institutions is to avoid hiring us. This is racial discrimination of the highest order. We suffer from gender discrimination as well and those of us who are middle-aged or above suffer from age discrimination.

Even at historically black colleges and universities like Howard University, a historically black institution in Washington, D.C., the faculty is only 58% black.

The disproportionate number of black, tenure-track college and university instructors — one out of every five — are clustered at 72 historically black four-year institutions that report the race of their employees. This despite the fact that those schools account for just 1.7% of all faculty nationwide.

Many predominantly white four-year public and nonprofit colleges and universities that have been promising for years to improve the diversity of their teaching ranks have made almost no progress in doing so.

In fact, the proportion of annual faculty hires who are black did not increase in the 10 years ending in 2016, the most recent period for which the figures are available; it fell slightly, from 7 percent to 6.6 percent, according to additional federal data analyzed by The Hechinger Report. Source: https://hechingerreport.org/after-colleges-promised-to-increase-it-hiring-of-black-faculty-declined/

It is time to bring this travesty to light. It is time for women of color to step up to the plate and call out the universities and colleges in this country for blatant racial, gender, and age discrimination. Perhaps, a class-action suit against colleges and universities will help to solve this problem in the USA.

Accreditation does now require diversity.

Accreditation is a voluntary, nongovernmental process involving the self-regulation of higher education that serves two purposes: assuring the public of quality and fostering institutional improvement. Accrediting agencies in the U.S. serve a broad range of institutions, thus making it difficult to implement diversity regulations across the board. Many agencies use standardized diversity policies or recommend that colleges and universities create their own objectives in this area, while others have relatively few or no requirements included in their accreditation standards. [Source]

Regarding diversity for the Southern Association of Colleges and Schools Commission on Colleges stated that, “When peer reviewers evaluate a school for accreditation, they look to see if it claims to promote diversity and inclusion in its mission statement, and if so, they assess the institution’s efforts to do so” (Wheelan, 2005). [Source]

The Accrediting Council for Independent Colleges and Schools (ACICS) is the largest national accrediting organization of degree-granting institutions that offer programs in professional, technical, and occupational fields. Perliter Walters-Gilliam, ACICS associate vice president of quality enhancement and training, says the council does not specifically have a diversity requirement in its accreditation standards.  “The expectation is that diversity is included in the planning document every campus is required to complete,” Walters-Gilliam says. Specifically, each institution must complete an assessment of the effectiveness of its own diversity and inclusion efforts. [Source]

The Western Association of Schools and Colleges (WASC) Senior College and University Commission (WSCUC) is a regional accrediting agency serving public and private higher education institutions throughout California, Hawaii, and the Pacific, as well as a limited number of institutions outside the U.S. in countries such as the United Arab Emirates and Armenia. The commission uses a diversity policy in its accreditation guidelines, holding schools to both societal standards of institutional behavior and its own subset of standards. “Quality and diversity are profoundly connected in pursuing goals in the mission statements of colleges and universities themselves: goals of expanding knowledge, educating capable citizens, and serving public needs,” the policy states. [Source]

blackwomenphdpoll

A poll I conducted on Facebook in March revealed that 70% of Black women professors are adjuncts, meaning that they have little job security and no benefits. “And most of those [30%] that are tenured work at HBCU’s[, while] only 2 percent work in primarily white institutions,” according to a Facebook poster.

Some 73 percent of all faculty positions are off the tenure track, according to a new analysis of federal data by the American Association of University Professors. “For the most part, these are insecure, unsupported positions with little job security and few protections for academic freedom,” reads AAUP’s “Data Snapshot: Contingent Faculty in U.S. Higher Ed.” The report is based on the most recent data from the Integrated Postsecondary Education Data System, from 2016 (Flaherty, 2018).

AAUP chart on adjuncts

For three years, I have taught Speech Communication at a South Florida vocational college for medical students. I teach in March, July, and October. My bills are every month. I have not been able to acquire another course in my discipline – Business Administration/Marketing. One woman responded to my question: “Should we file a class action suit against colleges and universities” in this way, “I agree, Black women, in particular, we are the most educated of the groups and yet we continue to be pushed to the margins. She stated further that, “The problem is, although the research shows this, Black women would be reluctant to come aboard [for a class action suit] because it would kill their careers in higher education.”

In my opinion,  some of us have nothing to lose and everything to gain.

In response to this post, a young MBA student from California, called me, today (April 4, 2019) to say that one reason why I might not be getting a response to my job applications is that I graduated from a university that is ASBCP accredited but not AACSB accredited, which is preferred.

ACBSP is a leading accrediting agency in the learning outcomes category. Like the AACSBACBSP has a rigorous review process to ensure programs meet accreditation standards, including assigning a mentor to help schools complete a plan for self-study. For more information on these accreditations go to https://programs.online.utica.edu/articles/aacsb-vs-acbsp-mba-accreditation

SUPPORT SYSTEMS

Ageism is more of a problem for women seeking employment.

A few years ago, the San Francisco Federal Reserve released one of the largest-ever studies on age discrimination in the workforce. After strategically submitting more than 40,000 fake applications to low-paying jobs often held by older workers (administrative assistants, janitorial staff, etc.), they found that young and middle-aged applicants had higher callback rates than older ones, and older female applicants fared far worse than their male counterparts. However, “Workers age 40 and up are protected by the Age Discrimination in Employment Act (ADEA), which forbids employers from treating applicants or employees less favorably because of their age through all aspects of employment. This does not protect employees under age 40, though some states have laws that do. ADEA also protects employees from harassment and from any employment policies that, specifically, have a negative impact on employees 40 or older” (Castle, 2019).

More research:

A New Friend

While in Florida, I sought out Joan Cartwright. She interviewed me on her podcast www.blogtalkradio.com/musicwoman in 2014 and 2018. She is the founder and executive director of Women in Jazz of South Florida. I wanted to meet the Woman behind the Mic who was supporting women in jazz. As the day unfolded, I was enriched and enlightened. Evolved!

Joan has traveled the world as a vocalist, musician, composer, and author of several books. I was lucky enough for two of them to land in my lap. She gives lectures, worldwide, and has earned the highest education in Music, Communication, and Business Marketing. She hosted a trip through Boynton Beach and took me to her home and prepared lunch for me!

She asked me if I would like a reading and, now, I am glad I said yes. It was about me standing in the white light, even in song, residing there in the blue center of the white light. I was blown away. Then, she asked me if I was ready to become a member. I figured she earned that. She has worked very hard to support Women in Jazz and was the very light that she read about in that reading. It was so beautiful I am going to transcribe it. I am officially a member of Women in Jazz of South Florida. Please check out wijsf.org to become a member.

Also, check out her book Amazing Musicwomen. I was in need of inspiration and what they say is true! “If you’re in need of something and remain open to it, Divine Order will place it right in front of you. She is the kind of woman I could learn a lot from, having traveled the same journey as I am traveling. She has achieved a higher consciousness and superlative light!

Joan, thank you for your books, wisdom, and inspiration. ~ Laurie Dapice

I encourage others to seek her and WIJSF out as well as her radio show. The force of Women in Jazz is dynamic and you should be eager to be a part of something much bigger than you  🌴 Here is Joan singing:

 

DrDivaJC in China

China called Dr. Joan Cartwright to teach Speech Communication at Shanghai Second Polytechnic University (SSPU) from December 10, 2018, to January 4, 2019. The 24-hour journey to Pudong Airport in Shanghai went without a hitch.

Dr. Cartwright had 59 Chinese students who learned public speaking. Dr. Cartwright has taught Speech for three years at Southeastern College in West Palm Beach and Keiser University in Pembroke Pines, Florida.

This opportunity to teach in China arose through Broward College that is affiliated with nine countries: China, India, Indonesia, Sri Lanka, Vietnam, Bolivia, Ecuador, Peru, and Spain. This is a very exciting opportunity for Dr. Cartwright. She spent five months in China in 2006, singing at CJW Club. Teaching there was a new experience!

Upon her return, Dr. Cartwright has reflected on this one-month experience from December 10 to January 4. First, the campus is a high-tech environment with thousands of students.

Building 19, where us professors lived, is a hospitality training center affiliated with Intercontinental Hotel. Our rooms were beautiful and the restaurant where we ate Monday through Friday was lovely and offered delicious Chinese cuisine.

The classrooms in the adjoining building were large and airy but really too cold for this time of year.

During the week and on the weekends, we had a large shopping mall across the street where we could buy groceries at the Carrefour and dine at several restaurants.

The students were very respectful. However, it took two weeks to get them to speak up as most students believed that their responsibility was only to listen to what the professor said and to take notes. Speech Communication requires a lot of vocal feedback and Dr. Cartwright managed to get most of her students to respond by the third week. In the fourth week, every student had to speak as part of a team of five students on the topic the team chose. All of the speeches were interesting and well-researched. The first class 16 SCM (Supply Chain Management) had 25 students. They were very bright and a lot of fun. Although learning APA Style to format scholarly writing can be difficult, they toed the line and did the work!

The second class with 34 students was 16 WD (Internet Technology). There were only eight girls in this class. The boys were slightly reticent, at first, but they all came out shining with their speeches.

During the last week, we were happy to have a Toastmaster from Pudong visit our classes and evaluate some of our speeches. His name is Yezhe Zheng from the Mandarin-English club in Pudong, Shanghai, China. His input was invaluable for the students because he spoke to them in English and Mandarin about how they could improve their speaking skills.

Of course, like all teachers, Dr. Cartwright had her favorite students. Most were those who spoke up in class or helped to keep the class organized and informed.

Joan was so fortunate to have friends in Shanghai who took her out on the weekends. They were Richard, Daphne, and Tony Wu, Erin Peng, and Matthew Magers.

The real upside of this adventure were colleagues from Broward College, Dr. Tai Houser, Dr. Tuly Badillo, and Nicolae __________, with whom she had many laughs.

Since it was the holiday season, there were many opportunities for shopping and dining out in Shanghai. Erin, Joan, and her visitor for the last week Glenda McQueen visited Jing’ An Temple, Century Mall, and Xintiandi, where they had great meals

At the end, the students admitted that they learned a lot. Some of them gave Dr. Cartwright lovely gifts that she will have to remember them by.

Most memorable was the food and dining experience!


P.S. Today, this was my response to a question on Quora.com: What are the advantages of communication and its environment?

Joan Cartwright, Master of Arts Communication, Florida Atlantic University (1994)
For me, the advantage is that I am one of a handful of Speech Communication professors in the country and the world. In the few years I’ve been teaching, I’ve learned a lot about human intrapersonal and interpersonal communication. I’ve learned that each person in the world has a particular perspective and most do not see eye-to-eye. I’ve learned that social media has opened up the world to billions. However, in first-world countries like the USA, young people have stopped talking to each other and their elders, in lieu of messaging, using acronyms and emoticons. Therefore, their communications skills have become stunted.

Will this phenomenon level out before the next generation loses their command of language and social exchange?

I’m not sure about that. What I teach my students is critical thinking and critical listening, which encourages them to put the phones away and pay attention to what is going on around them, including what is being said by their parents, siblings, children, and friends.

 

Doctoral Dissertation

After six years of study, my doctoral dissertation is now available for the world to read.

Cartwright, J. (2017). Women in jazz: Music publishing and marketing (Order No. 10265410). Available from ProQuest Dissertations & Theses Global; ProQuest Dissertations & Theses Global: The Humanities and Social Sciences Collection. (1894606316). Retrieved from https://search.proquest.com/openview/799fd615f51f3c4fa6b08945e8db56ab/1?pq-origsite=gscholar&cbl=18750&diss=y

Also for sale at http://lulu.com/spotlight/divajc

 

Difficult Students

This article helped me understand difficult students:

https://www.facultyfocus.com/articles/teaching-professor-blog/the-hardest-students-to-teach/print/

You have not had difficult students until you teach in a foreign country. Usually, foreign students are much more respectful than American students. However, cultural differences make for challenges.

In my first week of teaching Speech Communication to Chinese students, I realized that the majority of them were not going to be as responsive as I needed them to be. In each of two classes, one or two students answered all the questions. One reason is that those students who responded had a better command of the English language. The second reason is that they were more outgoing than their fellow students.

One professor informed me that Chinese students do not want to be embarrassed in front of their peers. That helped me to understand them better. But I thought because they would be chatting away with each other as they entered the class that they would be talking to me much more. NOT. I had to drag answers out of them, making my job more difficult than it should have been.