Blues Women fought and still do

Today’s blog is indicative of the situation most black women musicians and professors are in. We are marginalized and living under the poverty line and this is all wrong!

Musicwoman Mazagine

A New York Times article I read, today, motivated me to post this blog about Blues Women, the first civil rights workers.

Brent Staples wrote, Francis Harper “vexed white women reformers by accusing them “of being directly complicit in the oppression of blacks,” and by demanding that they rid themselves of racism.”

blueswomencoverIn my book, I discuss how “Black singers in the United States of America emerged from Spirituals and Blues to develop Jazz.  Their free-spirited songs delivered messages of liberation, signaling to Africans in America that they could be free.”

Besides being effective entertainers, “Blues women provided the primary means of healing of the human spirit with their musical dalliance that we can forever be delighted with and grateful for.  The paper concludes that Blues women Mamie Smith, Gertrude ‘Ma’ Rainey, Ida Cox, Alberta Hunter, Bessie Smith, Josephine Baker, Ethel Waters, Billie Holiday, Nina Simone, Eartha Kitt, and Miriam…

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Patricia Adkins-Chiti Well Done

R.I.P. Patricia Adkins-Chiti

Women in Jazz South Florida

Over 10 years ago, it was my fortune to connect with the founder of Fondazione Adkins-Chiti: Donne in Musica, Patricia Adkins-Chiti, who became and remained my mentor throughout the development of Women in Jazz South Florida, Inc., a non-profit organization founded in the USA to promote and support women musicians, globally. Beyond her encouragement and motivation to do the work for our organization, Patricia mentored me through my doctoral process and provided me with material to include in my dissertation – Women in Jazz: Music Publishing and Marketing. Also, in 2013, I was invited to be among 40 women composers at the WIMUST Conference in Fiuggi, Italy, where I met Patricia in person and enjoyed spending time with her.

patricia-jc-carol Carol, Patricia, and Joan at WIMUST Conference in Fiuggi, Italy, in July 2013

Today, I was tagged by Irene Robbins in this post from Silvia Costa:

Patricia Adkins…

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Difficult Students

This article helped me understand difficult students:

https://www.facultyfocus.com/articles/teaching-professor-blog/the-hardest-students-to-teach/print/

You have not had difficult students until you teach in a foreign country. Usually, foreign students are much more respectful than American students. However, cultural differences make for challenges.

In my first week of teaching Speech Communication to Chinese students, I realized that the majority of them were not going to be as responsive as I needed them to be. In each of two classes, one or two students answered all the questions. One reason is that those students who responded had a better command of the English language. The second reason is that they were more outgoing than their fellow students.

One professor informed me that Chinese students do not want to be embarrassed in front of their peers. That helped me to understand them better. But I thought because they would be chatting away with each other as they entered the class that they would be talking to me much more. NOT. I had to drag answers out of them, making my job more difficult than it should have been.

Compliments

Everyone wants to be seen heard and appreciated. ~ My second ex-husband, Jesse.

Yesterday, one of my Facebook friends left this message on a photo I uploaded:

I admire you so much. You are really a great example of courage and a mentor. I often pause to think what I can do better because you inspire me in all your accomplishments. You are a great example of success. ~ Deborah

For many years, I would say to someone who complimented me, “Can I get that in writing?” LOL

Well, there it is. Deborah put it in writing. Ahhhh, the joy of the Internet!

Be the joy you want to see! ~ Dr. Diva JC

CartwrightJ2017How time flies

Godmother of Jazz

Godmother of Jazz

1jcdivaIn 1995, a musician referred to her as a diva. She liked that. She felt it. By 1998, she accepted the title Diva JC and the rest is herstory. Doctoral Candidate Joan Cartwright has been on stage for decades. She loves to sing and her audiences have been innumerable.

On March 7, 2015, a dear friend and fellow author Mirthell Bayliss Bazemore referred to the Diva as The Godmother of Jazz.

It fit. It felt good, so Joan Cartwright decided that this is her story and she’s sticking to it! www.drdivajc.com. 

Diva JC is the Godmother of Jazz. Listen to the archive of 200+ interviews she’s hosted since 2008 on BlogTalkRadio as Musicwoman.

Visit the non-profit organizations’ website: Women in Jazz South Florida, Inc., which Joan founded in 2007, to promote women musicians, globally. And Joan’s Jazzwomen Directory.

Read her books on Amazing Musicwomen, In Pursuit of a Melody, and A History of African American Jazz and Blues, with excerpts on Abbey Lincoln and Max Roach, and interviews with Dewey Redman, Lester Bowie, and Quincy Jones.

Listen to her music at iTunes: Joan Cartwright, Jazz, Blues, Reggae

www.joancartwright.com

Diva JC’s YouTube Channel

Symposium on Women in Arts

symposium-logo2TALK is cheap. DOING something costs time, money, and THINKING. I’ve been an advocate for women musicians since 1997. I founded a non-profit organization to promote and support women musicians in 2007. This year, we’re calling for a Symposium on Women in the Arts because all people learn through the ARTS. 115 people registered for this symposium to be held in Washington, DC, on Tuesday, August 4, 2015 @ 9 a.m. to 5 p.m. The problem is we tried to hold it at The White House but were denied access. Then, we tried the Library of Congress but they don’t allow groups to hold events during the day. Now, we’re trying George Washington U and Georgetown U but the Women’s Studies Departments at both schools “do not have resources” for this event. It’s ridiculous. Women are marginalized even more than people of color but they just do not see it. They do not receive the financial support earmarked by government funding of the arts. They are omitted from all-male big bands and orchestras. And they don’t fight to make things CHANGE. When women join together to change the world, everything will change. But like the poster above stated, “We have jobs, homes, cars and are ALLOWED to take little breaks (vacations) from time to time so we believe the illusion that we are free.” Women are second class citizens to males, Black and White. The only difference is White males have economic power (especially GAY WHITE MALES, who have no women to answer to or care for). Black males have little economic power but still tend to dominate women. When will women join together to make CHANGE in this world. TALK is cheap. We must DO something. If you are a women artist, author, architect, musician, composer, actress, filmmaker, or other cultural producer, Register for the symposium at the link on this page: http://wijsf.com/events/symposium.htm